Rza Bobby Digital In Stereo Zip
The Rza, best known as being the leader of the Wu-Tang Clan, a snazzy dresser, and a genius producer, released his first solo album one week after Method Man dropped the disappointing Tical 2000: Judgement Day. (Don't you kinda wish the Wu would start dropping albums closer to each other again?) During his time on the group CDs, and his multiple guest verses, Rza had become known for his pointed observations and more conscious lyrics,so of course he capitalized on this by adopting, a la Kool Keith (who was clearly an influence here), the alias of Bobby Digital, the superhero. Rza used the Bobby Digital moniker to contradict his earlier work, comparing the aesthetics of the stereotypical black male experience with that of a masked avenger on a power trip, with all of the violence, drugs, and women that would belong with either.
Digital had teased that his first solo would be called The Cure, ostensibly a 'cure' for the ridiculously material-obsessed, misogynistic, and violent rap that had taken over our music culture like a bacteria, or like that white glop from The Stuff. (See, I could have mentioned The Blob, but The Stuff is a funnier movie.) My belief is that Rza, realizing that he just promised a conscious rap album to the fans, opted for the name switch so that he could justify rhyming as ignorantly as he wanted.
The Cure would just come out later. To this day, it still hasn't been released, and probably never will. But that's just as well. The mythology of The Cure would just lead any actual album with that title to just disappoint.
Many Wu stans were thrilled to have anything with The Rza's name on it, so they snatched this up immediately. (These same fans probably don't realize that The Rza, as Prince Rakeem, released an solo EP waaaay back in the early nineties, Ooh I Love You Rakeem, which is on the same level of suckage as Words From The Genius.) I, too, was one of those stans who snatched it up on that Tuesday. For the majority of the CD, Robert Q. Digital implemented his 'digital orchestration' sound, which is a manipulative way to say that he didn't sample as much. As such, is a Wu solo in name and guest spots only.
The liner notes inexplicably say 'Featuring Wu-Tang Clan', which may have been an easy way for Dirt McGirt's record label to not get pissed about his guest vocal here. (For 'Bobby Did It', Timbo King is actually credited as 'Royal Fam', the name of his group, although he's probably the only one from the group that still raps anyway.) ODB starts to re-use his verse from Big Daddy Kane's 'Show & Prove', catches himself, and finishes anyway. Inspectah Deck produces here, ripping off a loop from a Portishead song, and I will admit, sampling Portishead? The final product? Well, the rhymes are great.
FINAL THOUGHTS: is the new worst Wu solo album thus far. There are some really fucking great songs here, but the package as a whole is severely lacking. When you release a solo album, you're entitled to put whatever the fuck you want on it, but Rza must have been blown out of his mind on honey-dipped blunts to include the dopey interludes and the seemingly infinite number of guest artists. The beats are mostly weak, and that's not a criticism of the 'digital orchestration' technique; they just sound bad.
Find album reviews, stream songs, credits and award information for RZA as Bobby Digital in Stereo - RZA on AllMusic - 1998 - RZA's first solo album, the soundtrack. Find album reviews, stream songs, credits and award information for RZA as Bobby Digital in Stereo - RZA on AllMusic - 1998 - RZA's first solo album, the soundtrack.
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Seems like an incomplete thought released to the masses. Ok.ok.listen to me right now. I can tell that your probably a well educated person. Your writing style is very dense, makes you think. When you say something disrespectful and just strait up ingnorant it ruins the rest of your information.
I am not kidding. Ive read nuff of your 'reviews' and you always fuck it up with some stupid shit. Prince Rakeem & The Genius were excellent mcs. There rhymes were deep. It was the seed of the wu. Dont feed me this sort of bullshit.
Respect the classics. Start listning to lyric son! I am not feeling you.
I have no idea where your coming from. Absolutely no respect, untill you learn. In a word: bwa-ha-ha! I'm probably a bigger Wu fan than you could ever dream to be, but I'm not blind, and I don't just assume that everything Wu related is automatically fantastic. The point of the blog, which you clearly didn't read because you admitted it yourself, is that, if you are A Wu stan, you already own it, but if you are brand new to the Clan, this is NOT THE ALBUM TO START WITH.
It is NOT accessible to the casual hip hop fan, which is why I said you should listen to it BEFORE you buy. Notice I didn't say that it should be avoided at all costs, like I have with SOME albums. Oh, and I never said that Rza and Gza (or Prince Rakeem and The Genius, since you seem so sure of your so-called hip hop taste that you try to show me up by using their original rap names) were bad MCs. Their original albums DID suck, but they showed talent, and I said as much in the Words From The Genius review. And I didn't hear anyone complain when I said that Tical, Return To The 36 Chambers, Only Built 4 Cuban Linx, Liquid Swords, Wu-Tang Forever, and Enter The Wu-Tang were must-owns (and, for that matter, that Sunz of Man album that I wrote about as well).
All of the hate comes when I take your favorite album and say it's not that good, and that spurs the vitroil. Hello, that's the point! If you disagree with the comments, tell me why! Nobody is disrespecting the classics here, and even you would be hard pressed to say that Words from The Genius and Bobby Digital are classic albums that will stand the test of time.
As for the asshole comment, well, you got me, yes, I AM an asshole. But isn't that also the fucking point? Thanks for taking the time to comment, and thanks for reading! I agree with Max on several points: 1. If you want to start exploring the wu-vaults then this isn't the album to pick up first.
It had to grow on me for years before i could fully appreciate it and i had been a wu fan for years when it was released!!! This just isn't an easy, accessable listen. The old school joints from Prince rakeem and the genius are for historical reasons interesting but to a wu head they just don't work. Wu sound is dark, and gritty and this playfull light old school stuff just doesn't work for them and as someone wrote here there's better old school stuff to be found that does work better than this. I'm a big fan of the GZA but when i listen to words from. It sounds like an bad mash up.
And asto Max being an asshole lol, we all are assholes in a way so why remind us Supa? Lol, relax m8, it's only max's opinion and he puts it together in a good and well constructed manner so let him, ok? Peace The Tcha ( officially on summer vacation now!!! The most felonious vocalist in the wide world of showbusiness Nice review.
I agree with most of it but would add NYC Everything to the list of best tracks. Good call on the Ras Kass thing. I'm probably not the most objective person concerning Ras Kass but after hearing Handwriting on the Wall and The End off of Rasassination, I was campaigning for more collaborations. Killah Priest doesn't really count for me and I had pretty much given up hope by the time the Think Differently album came out with two songs featuring Ras Kass and GZA.
Rza Bobby Digital In Stereo Clean
Then Ras Kass showed up on the Destruction of a Guard remix from the GZA & DJ Muggs Grandmasters record. This link needs to be strengthened. On my next birthday, I'm wishing for Ras Kass to be awarded any mic time that would otherwise be squandered on U-God and Cappadonna. I miss the Kung-Fu samples intensely. As for the commenter who said that he ain't feeling Max for not showing respect to Prince Rakeem and The Genius, you should look around the blog a little bit. You can tell by the length of the review, including the album review intro, that Max likes (or at least likes writing about) the RZA. You also might notice the link to 'The Ultimate Wu-Site' on the sidebar.
AlmightyKD Another album I didn't check for when it came out because I didn't like the 'new' direction the Wu sound took after the release of 'Forever'. I think this review is bang on, you can't bash this album because it not without it's good points however there are many short comings to this album. The change in The RZA's production is very apparent at this point and it leaves you wanting more of tracks like Holocaust, Lab Drunk and Love Jones (which would have been a perfect fit on a Ghostface album) but they are few and far between. This album to me marks the Wu transition into obscurity. As a fan of the early Wu Albums this album was a major dissapointment with glimpses of what should have been and the bad taste of what was to come.
Anonymous I fucking hate you dude. You have no appreciation for rza's style of production or anyone else for that matter, I assume. Oh well, keep on bumping that TPain that you would probably rate 10/10 overall.
There isn't 1 album where you don't show your appreciation for every track it's always 'This song sucked and if he would have kept this out' Blah, blah, blah! The fact of the matter is, he didn't take it out and therefore this only goes to show that RZA is RZA and you are some well-spoken asshole trying to tell one of the best producers what to do. That's laughable. Keep writing your reviews and criticizing other people's talent, because you aren't good at anything else. I hate you, and I'm not reading anymore of this shit. All content is Copyright © 2007-2017. Hip Hop Isn't Dead.
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Rza Bobby Digital In Stereo Download
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